Through the contrast of light and shade, the relationship between light and shadow is strengthened, the combination of light and dark, void and reality is emphasized in the lighting design, and the idea of ancient Chinese Taoist Wu Xing is integrated into the lighting design, let the first impression of the exhibits to visitors is a sharp contrast between light and shadow, but after careful taste is a fusion of unified light and shadow feeling. Concept display in the design of the digital exhibition content of the Zangle Museum, the exhibition art and the culture of knowledge. The whole museum adopts the method of "exhibition history of things" , taking time as the order, making full use of modern new materials, new forms and auxiliary techniques such as sound, light and electricity, and taking various forms such as scene reappearance, precious objects, picture materials, etc. , lively display of ceramic history, the image of the highlight of the Chinese aesthetic sense of art.
通过明暗对比的手法，强化被照物的光影关系，在灯光中强调展品的明与暗、虚与实的结合，并在灯光设计中融合中国古代道家阴阳五行的思想，让展品给游客的第一感觉是一种尖锐的光影对立，但细细品味之后又是一种融合统一的光影感受。
概念展示在设计藏乐阁博物馆的数字展示内容时，坚持展览艺术与知识文化并重。整个博物馆采用“以物展史”的方式，以时间为序，充分运用现代新材料、新造型以及声、光、电等辅助手法，以场景再现、珍贵实物、图片资料等多种形式，生动的展示陶瓷的历史，形象的凸显了中式的艺术美感。
